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Shotgun Condenser Microphone
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A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted
UK DeliveryFREE Next Working Day Delivery on orders over £49.00.
Orders placed before 4pm will normally be dispatched the same day and will be delivered on the next working day between 9am and 6pm.Delivery Upgrade Options (Over £49)
Delivery is charged at a flat rate of £21. The following list of countries are available at checkout:
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At Music Matter, our goal is to ensure complete satisfaction with your purchase.
If, for whatever reason, you are dissatisfied with your purchase, you can return it to Music Matter within 30 days of receiving the item, providing it arrives back in new condition.
You have the option of receiving a full refund / exchange within 14 days, or, exchange / credit only within 30 days.Full Refund Within 14 days
In order to receive a full refund, you must notify us within 14 days of receiving the goods. Once you have notified us you will have 14 days to return the product to us.
Exchange Within 30 days
In order to exchange an item, you must notify us within 30 days of receiving the goods. Once you have notified us you will have days to return the product to us.Goods received back 14 days after the cooling of period ends may be rejected.
Your returns period starts the day after you receive the item(s)
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Minimum 12 Months WarrantyAll new & used goods supplied by Music Matter are warranted free from defects for 12 months from the date of supply (unless otherwise stated).Extended WarrantyMany manufacturers offer a free extended warranty upon registration.
The Rode NTG4 Shotgun Microphone with Digital Switches is designed for ENG, filmmaking, field recording, sound design, and broadcast applications. The microphone builds upon the success of the company's NTG1 and NTG2 microphones with an updated capsule to deliver broadcast quality sound and digital switching options for versatile field operation.
Designed to be mounted on a boom, a handheld pistol grip, or atop a compact camera for run and gun style filmmaking, the microphone features a super-cardioid directional pickup pattern, a frequency range of 20 to 20,000 Hz, a sensitivity of -32 dB re 1 V/Pa, a dynamic range of 119 dB, a signal to noise-ratio of 78 dB SPL, and a maximum SPL of 135 dB from 48V, 24V, or12V phantom power (4.5 mA current draw).
Along the body of the microphone is a power button with LED indicator as well as three digital switching buttons with LED indicators.
The first button provides a -10 dB pad on the input of the microphone to allow the recording of loud sounds without clipping.
The middle button turns on a 75 Hz high pass filter which is useful for reducing low frequency and infrasonic rumble from HVAC systems indoors or street traffic outdoors from over-powering the recording.
The third button is a high frequency boost. The value of the high frequency boost is in restoring some of the high frequency content that is often lost when a blimp or furry windshield is placed over the microphone. An added benefit is that the high frequency boost switch can help improve the intelligibility of recorded speech, especially useful for filmmaking and broadcast applications.
The microphone comes with an RM5 microphone clip, a foam windshield and a ZP1 pouch.
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