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6-in / 6-out USB 2.0 Audio Interface
Focusrite Scarlett 6i6 USB Audio Interface, 6-in / 6-out, 24-bit/96 kHz, Windows PC, Mac OSX, iPad via Apple Camera Connection Kit – not included.
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Minimum 12 Months WarrantyAll new & used goods supplied by Music Matter are warranted free from defects for 12 months from the date of supply (unless otherwise stated).Extended WarrantyMany manufacturers offer a free extended warranty upon registration.
Includes Softube Time & Tone Bundle (Worth £130)
Free Red 2 & 3 Plugin Suites (Worth £229)
Like the other members of the Scarlett range of USB 2.0 computer audio interfaces, Scarlett 6i6 brings you the best of Focusrite’s interface design, proving that at Focusrite, sound really is everything, with precision analogue/digital conversion and, in the case of the 6i6, two Focusrite microphone preamps, custom-designed for our computer interface range, that bring a new level of clarity and sound to all your work. 6i6 is a 6 in / 6 out audio interface that delivers superb quality recordings from microphones and instruments, straight into your Macintosh® or Windows® computer or iPad® (Apple Camera Connection Kit required with iPad). And, with the new Red 2 and Red 3 AAX plugins (included), it’s perfect for use with Pro Tools®.
Perfect For Bands And Producers
Scarlett 6i6 is perfect for producers, recording artists or small bands. With dual Focusrite mic preamps and a stereo line input – and a stereo S/PDIF input for digital sources – 6i6 is great for recording vocals, guitar and keyboards simultaneously. The four balanced outputs support up to two sets of stereo monitors, while two built-in headphone outputs with separate volume controls allow multiple recording artists to listen to the mixes they need to get the best performance – all with the lowest latency in the business. The inputs and outputs feature precision 24-bit Focusrite conversion at up to 96 kHz in order to get the most accurate signal possible into and out of your computer.
The outer case is a tough aluminium extrusion, which protects the components inside and minimises electrical noise. There is a large main monitor control knob alongside dedicated gain knobs for each mic input, each with two-colour ‘gain halos’ which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can be switched-in to handle high-level inputs.
Polish Your Mix
All Scarlett audio interfaces include Ableton Live Lite recording software, plus two powerful software plug-ins: Red Plug-in Suite and Scarlett Plug-in Suite.
Red 2 & Red 3 Plug-In Suite
The Red Plug-in Suite accurately models our classic Red 2 equaliser and Red 3 compressor, to bring the sound of the famous original hardware to your music software.
Scarlett Plug-In Suite
Scarlett Suite is a professional plug-in suite that provides a definitive suite of compression, gating, EQ and reverb, for tracking and mixing your music.
High Quality Mic Preamps
Scarlett 2i4 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i4 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56.
Excellent Digital Performance
With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i4 is of very high quality meaning that every note and every subtle detail is captured with great clarity.
Rugged Metal Unibody Case
The anodised aluminium unibody chassis ensures that your Scarlett 2i4 can withstand the harsh environment of the road. It also makes Scarlett 2i4 the most beautiful interface around.
Truly Portable Interface
Scarlett 2i4 is very light and compact making it easy to fit in a laptop bag. It's also bus powered meaning that you don’t need an additional power supply. Simply plug in to your computer and hit record!
Included Software – DAW and Effects
Inside the box you'll find Ableton Live Lite, as well as Focusrite's Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb essential tools for polishing your mix.
Unique LED Gain Halos
The gain halos which surround the gain knob for each input provides an easy way to know that the signal you’re recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping – if this happens, simply reduce the gain until the halo returns to green.
Direct Monitor Function
Flick the direct monitor switch on the front panel of your 2i4 and you will hear what you're recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording.
6 Inputs / 6 Outputs
All of the analogue and digital inputs you need for home multi-track recording. No need for breakout cables - every analogue input & output has a dedicated socket
On the back panel are MIDI IN and MIDI OUT ports providing connectivity to your synth modules and digital pianos.
2 Headphone Outputs With Seperate Level Controls
With two headphone mixes the engineer and the artist can both listen to the mix levels they need
Scarlett MixControl Ultra-Low-Latency DSP Mixer / Router
Scarlet MixControl Provides a 6 x 6 DSP mixer with flexible routing capabilities, intuitive one-click presets, and lower than 1.4 ms latency
109 dB A-weighted (all inputs)
106 dB A-weighted (line outputs 1-2) 108 dB A-weighted (line outputs 3-4)
44.1 kHz, 48 kHz, 88.2 kHz A 96 kHz
20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
-96 dB (1 kHz, –1dBFS, 20 kHz BW)
–122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination)
+9 dBu (without pad)
-80 dB (1 kHz, –1dBFS, 20 kHz BW)
–105 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
> +28 dBu
–82dB (1 kHz, –1dBFS, 20 kHz BW)
107dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
20 Hz ± 0.3 dB, 20 kHz ± 0.1 dB (min. gain)
–103 dBFS CCIR-RMS (measured at min. gain)
+8 dBu (without pad)
+11 dBu, balanced
-100 dB (1 kHz, –1dBFS, 20 kHz BW)
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