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30 In / 30 Out Hybrid Audio Interface
Hybrid Audio Interface (Firewire 400 & USB 2.0) - 30 Inputs / 30 Outputs, digitally controlled high-end preamps and full 192 kHz operation for PC and Mac.
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Flexible 30 Day Returns Period
If for whatever reason, you are dissatisfied with your purchase, you can return it to Music Matter within 30 days of receiving the item.You must return an item in the same condition as it was received, not altered in any way, as well as including:
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Minimum 12 Months WarrantyAll new & used goods supplied by Music Matter are warranted free from defects for 12 months from the date of supply (unless otherwise stated).Extended WarrantyMany manufacturers offer a free extended warranty upon registration.
60 channels of audio! Digitally controlled high-end preamps, reference class converters and full 192 kHz operation.
Ultra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. Including active jitter suppression, professional reference level support, advanced stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and - of course - nearly identical operation and features on Windows PC and Mac.
DURec: Direct USB Recording: The UFX provides a spectacular feature: an integrated digital recorder for all inputs and outputs directly to USB memory devices - USB thumb drives or hard drives with up to 2 TB capacity - via the front USB port. Independent from a connected PC or Mac.
On top of it: TotalMix FX, the new digital high-end mixer and signal router, driven by two powerful DSP, with integrated EQ, Dynamics and Reverb/Echo effects up to 192 kHz plus a built-in monitoring control.
The full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX.
RME's new Fireface flagship is a highly integrated pro audio solution, a full-blown studio packed in a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best - and even a bit more.
The UFX provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 separate tracks.
Preamps . The UFX has four high-transparency preamps backed up by four stereo converters with RME's new parallel converter technology.
Microphone and instrument preamps of the UFX use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The fully symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.
The digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for every preamp by the display-supported controls on the front of the UFX. All level settings are 100% reproducible and can also be adjusted comfortably within the TotalMix software on the host computer or by a MIDI remote controller.
The four inputs on the front use balanced XLR/TRS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.
Each channel can be individually switched to 48V phantom power or instrument level. LEDs for signal, clip, TRS operation and activated phantom power give a complete overview on the unit's status.
Advanced Parallel Conversion . The four UFX preamps are feeding not only four, but eight AD converters. Every microphone channel uses a double, parallel AD conversion on two AD converters at the same time to reach exceptional signal-to-noise values and a performance not available with a classic converter design.
The UFX follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I/Os on the rear.
AES/EBU: The UFX provides a professional AES/EBU I/O working up to 192 kHz.
ADAT: Two 8-channel ADAT I/Os expand the UFX by 16 channels available simultaneously with the analog channels. They can be used to connect two 8-channel AD/DA converters, mixing consoles, or to insert effects devices. Both I/Os support sample rates with up to 192 kHz (S/MUX4). Using two external converters like the ADI-8 QS, the UFX will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.
SPDIF: The second ADAT I/O can be used as optical SPDIF I/O, making the UFX connections even more flexible.
Word Clock & MIDI: A word clock input and output (BNC) with switchable termination plus two MIDI I/Os complete the I/O list and turn the Fireface UFX into a professional audio system with universal usability.
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