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4-Channel Professional Effects Mixer
The Mackie PROFX4V2 is a 4-Channel Professional Effects Mixer that features Vita Preamps and Ready FX.
UK DeliveryFREE Next Working Day Delivery on orders over £49.00.
Orders placed before 4pm will normally be dispatched the same day and will be delivered on the next working day between 9am and 6pm.Delivery Upgrade Options (Over £49)
Delivery is charged at a flat rate of £21. The following list of countries are available at checkout:
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Flexible 30 Day Returns Period
If for whatever reason, you are dissatisfied with your purchase, you can return it to Music Matter within 30 days of receiving the item.No Returns / Exchange On
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Minimum 12 Months WarrantyAll new & used goods supplied by Music Matter are warranted free from defects for 12 months from the date of supply (unless otherwise stated).Extended WarrantyMany manufacturers offer a free extended warranty upon registration.
Designed specifically for live sound, Vita preamps are virtually noiseless, featuring a discrete Class-A front end design, dual feedback stabilization and bias current optimization for unmatched low-noise performance.
ReadyFX Effects Engine
The all-new ReadyFX effects engine employs floating-point DSP, designed specifically for intensive processing of high-quality audio. This results in effects that are rich and always ready to elevate performance and inspire audiences.
Advanced Live Mixing Toolkit
Each ProFXv2 model is a well-stocked audio toolkit. From critical tools like multi-band graphic equalization to smart features like channel inserts and footswitchable FX mute, ProFXv2 always has the tools you need.
The ProFX4v2 has 2-band equalization at carefully selected points which can be used to boosts or cut all frequencies past the specified frequency. The hi EQ provides up to 15 dB of boost or cut above 12kHz, and it is also flat (no boost or cut) at the detent. Use it to add sizzle to cymbals, an overall sense of transparency, or an edge to keyboards, vocals and guitar. Increase the cut to reduce sibilance from a microphone or to mask tape hiss. Additionally the low EQ provides up to 15 dB of boost or cut below 80 Hz. This frequency represents the punch in bass drums, bass guitar, fat synth patches and some baritone singers.
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