Behringer Eurorack UB1622FX-PRO 16-Input 4-Bus Mic/Line Multi-FX Mixer

The 16-Input UB1622FX-PRO allows you to effortlessly achieve premium-quality sound – thanks to its 4 studio-grade IMP “Invisible” mic preamps, ultra-musical 3-band EQs with semi-parametric mid band and switchable low-cut filters. Channels 5/6 - 11/12 are dedicated stereo channels with our 4-band fixed EQs. Add to this our stereo 24-Bit Multi- FX processor with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects – and the UB1622FX-PRO becomes an incredibly-versatile mixer for all your recording sessions and live performances.

The EURORACK UB1622FX-PRO features our ultra-low noise, high-headroom IMP “Invisible” mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone – with up to 60 dB gain and a +48 V phantom power supply. Armed with these outstanding mic preamps, the EURORACK UB1622FX-PRO provides exceptionally-transparent and crystal-clear sonic performance – making them ideal for both live sound and studio recording applications.

All of the UB1622FX-PRO’s mono channels have a 3-band EQ – with semi-parametric mid bands for the ultimate in tone shaping. Both the High and Low bands provide a ±15 dB boost or cut to all frequencies above or below their cut-off frequencies, which are fixed at 12 kHz and 80 Hz respectively. For the midrange, the UB1622FXPRO features a semi-parametric equalizer with a Q (filter quality) of 1 octave, which is tunable from 100 Hz - 8 kHz. Use the Mid control to set the amount of boost or cut, and the Frequency control to set the center point. A stereo EQ is superior to two mono EQs for stereo signals, because two separate EQs can often create an imbalance between the left and right channels. The stereo channels in the UB1622FX-PRO contain a stereo EQ with cut-off frequencies of the High (12 kHz) and Low (80 Hz) bands, while the center frequencies of the High-Mid and Low-Mid bands are 3 kHz and 500 Hz respectively. Stereo channel High and Low controls are identical in their characteristics and functionality as those in the mono channels.

Highlights

• Ultra-low noise design, highest possible headroom, ultra-transparent audio
• 4 state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
• Studio-grade stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
• Inserts on each mono channel for flexible connection of outboard equipment
• 12 balanced high-headroom line inputs with +4/-10 level selection on stereo channels
• 2 aux sends per channel: one pre/post fader switchable for monitoring/FX applications and one post fader (for internal FX or as external send)
• Clip LEDs, mute, main mix and subgroup routing switches plus solo and PFL functions on all channels
• 2 subgroups with separate outputs for added routing flexibility
• 2 multi-functional stereo aux returns with flexible routing
• Main mix outputs with jack and gold-plated XLR connectors, separate control room, headphone and 2-track outputs
• Control room/headphone outputs with multi-input source matrix
• 2-track inputs assignable to main mix or control room/headphone outputs
• Switchable +48 V phantom power for condenser microphones
• Rack mount brackets included
• Internal switch-mode power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
• 3-Year Warranty Program*
• Conceived and designed by BEHRINGER Germany